Friday, 29 July 2011
both bands hold down their side of this pop-punk split. ? records put this out, and i'm guessing that it was probably in the early '00s. summer tunes for the summer goons.
lanemeyer- grovers corner new jersey
emanuel nice- don't say ok
emanuel nice- kill lincoln
the paper gets cut and starts to scab
Monday, 25 July 2011
bubblecore records put this one out in 1994. iris holds its own on this split, but the shoegazin' pop of the swirlies is pretty unfuckwithable. this slab of wax offers a 4-track version of his love just washed away. bending notes, dizzied up guitars, and nearly two minutes of weirdness at the end of the track. your ears, this music.
iris- statements by scientists
swirlies- his love just wash away (4-track version)
Saturday, 23 July 2011
more goodness from shannon and the clams. they kick out four covers of christmas tunes here, and you know it's done properly, because when you see something done properly, you nod your head nice and slowly in acknowledgment. your next christmas will be a party for sure. tunes enough to make your uncle slick his eyebrows back with a bit of spittle and roll around facedown in the snow. one fella's ruined christmas is another's excellent party.
all i want for christmas is you
"wreck the halls"
Friday, 22 July 2011
no way around this one: twee. so much sugar in these ladies' voices that you're either gonna barf or be lulled into tasty haze, and maybe you'll do both because you're ambitious like that. the best days wins this one cleanly.
the best days
as skittish as me
sleeping your way to victory
this was a split release between two labels: cinnamon toast records and derivative records. the song emma is no good but the song brother is pretty decent. female vocals, canadian, aurora borealis, southern hemisphere, up in the sky lookin' down at the dirt.
the television informs: nothing is actually rotten in denmark
fantastic pop records put this one out. i believe it was around the year 2000. the song secret snow is pretty good. fantastic, if you will. and you won't. because you never will. quiet, subdued, dig it until it's deep enough and lay down.
called it from miles away but still you hope it ruins their day
Wednesday, 20 July 2011
magic marker records put this number out a couple of years ago. the first track is the best of the bunch, offering up some shoegazin' pop (this band takes its name from the most excellent slumberland get-up that called themselves black tambourine so no surprises there). the other two songs are good enough to merit a listenin'.
Monday, 18 July 2011
different verse, fuzzier than the first. this one came out in 1996. lo-fi pop tunes to get stupid with. real stupid.
i'm racing isaiah
bones and the smiling mackerel
kill devil hill
fratello party gianno
the idiot interjects with an anecdote of previously unexperienced levels of irrelevance
Wednesday, 13 July 2011
this came out on 100 guitar mania and freedom fortress preservation society in 1999. it's much cleaner sounding than their earlier 7" i'm going to post next. slightly off-kilter buoyant indie tunes. i can hear a bit of guided by voices here but that comparison is probably more suitable for long live the pelican express.
louis, my corpse looks a little familiar
the art of heroin
sleeping in the apartment
mouse hunt, mouse blood
get out of town
conversations were a lengthy but passing fad
emo from the mid-90s. 1994 to be precise. put out by wrenched records. solid throughout, though the winning track here is shoulders. evergreen was a strong but quiet contributor to the genre in what i suppose would be called its second wave. worth checking out for that reason alone.
the water song
spray paint stains stupid stuff on signs and sheds
Monday, 11 July 2011
luke warm female-fronted indiepop. this came out in 1994 on harriet records. pest later tacked on "5000" to the end of their name and went on to release several more things. again, i hate the term twee, but it might apply here.
slack-jawed and staring intently
Sunday, 10 July 2011
this is the second release by the label suicide squeeze records. i gather that there isn't much information out there about this band, which is unfortunate because they definitely released some decent stuff. this came out in the mid-90s and definitely fits in well with the sound that their indie contemporaries were jamming out at the time.
the epilogue fits
i've yet to hear a release by the clams that i didn't like. two slow-burning numbers and a quick noisy burst of a ditty about reading a diary. great pop sensibility underwrites the two showpiece tunes, and shannon takes care of the rest- crooning over all the reverb you could ask for. these cats are formally invited to ruin as many birthdays as they want, so long as it always sounds like this. put out in 2010 on southpaw records.
Saturday, 9 July 2011
here's your serving of weird pop, and i don't necessarily mean that in the endearing way that i usually do. nonetheless, it's here for your checking out if you feel so inclined. this was a split release between the labels christmas records and small-fi records, and between the two have put out records by pretty excellent bands like the lefties, further, and the summer hits. unfortunately, neither of the two contributors here come anywhere close to being as good as the aforementioned bands, but if you've been craving some tape manipulation and sampling then you can find that right here. both thank lou barlow, and it's easy to see where they intended to go but safe to say they didn't get there successfully. released in 1994.
rusty troller- mayberry sunshine medley
rusty troller- broken hearted man
fighter jet- cute blonde girl
fighter jet- lovin', touchin', squeezin'
clouds don't care if you've got the blues
two quick cuts of female-fronted pop punk. sugar enough to get you dancing wildly or tapping your foot a bit, whichever you prefer. this came out in 2004 on nerve wracking records.
we're all wrong
the wit dribbles down the edge of your lip
Saturday, 2 July 2011
this was recorded in 1996 and then crank! records released it in 1998. some excellent tracks, but as a whole, the album definitely has its share of valleys. sometimes loud and discordant, sometimes quiet and melodic; tragedy doesn't follow a clear-cut formula. that said, labels such as post-hardcore, post-punk, and emo all fit well enough to give you an idea of what you're in for. awesome cuts include one mississippi, 23, and lifehighschool.
we need to find the girls
the leaders of pursuit
the discovery of oxygen
three tracks here. an upbeat number, a cover, and a slowburner, all done with eyes locked on shoes. pam berry (whose been in a shitload of bands, including black tambourine) sings on this and slumberland put it out, so you know you're getting something decent. in sum: tons of reverb and feedback and a gal with a pretty voice.
open your eyes
leave you behind (jesse garon & the desperados cover)
count the raindrops
the plural of plural